Hello, HBO? It’s me, Yoel. We should talk.
I’ve been a fan of True Blood almost since the start. Given my fondness for sassy service employees (Sookie, who has remarkably become less aggravating this season than in any of the past ones), bitchy Southerners (either Arlene or Tara, though Tara is less outright bitchy and more… hypersensitive about her race and in everyone’s business about it, not that that’s particularly unreasonable in rural Louisiana), hairy-chested gentlemen (Bill of the immaculately-groomed body hair), and anything involving Alexander Skarsgard (Eric, though his little teal cashmere v-neck has been doing nothing for me this season), the show roped me in early and has kept me interested for two full seasons of Bon Temps insanity. I even stayed on the rollercoaster through all that bullshit with Maryanne, who, let’s face it, made for sloppy, rather than interesting, writing.
But this season is something else entirely. Where, to put it bluntly, is all the fucking? I’m not asking for a return to the raunchy graveyard sex of Bill and Sookie a la season one (that was a little too much, even for me) — but throw a guy a bone once in a while. Tara biting a chunk out of the neck of the British vampire whose name is so irrelevant I haven’t even bothered to learn it does not count as an adequate substitute for good, old-fashioned vampire-on-human loving. Even the Twilight movies have been more sexually charged lately. Considering there are more than a few moments in the Charlaine Harris novels that made me blush, I have to hope that the writers remember their roots, and quick. It’s not that True Blood isn’t entertaining anymore; it’s just that it’s providing a kind of action/suspense television that I’m not really looking for right now in my program lineup.
Top Chef, though, is something else entirely this season. It was obvious, from the start of season six, that the Voltaggio brothers and Kevin were going to be in the finale. But, this season, it’s been obvious since day one that Angelo is going to be the winner, and that he’s going to be utterly insufferable until it happens, which makes most of the action in the middle of the season completely irrelevant. Even Angelo, I think, is beginning to understand that the show’s rigged; he admitted that his cucumber-cup canape in this week’s episode was Quickfire bottom fodder, and yet it still won him $20,000 and immunity. They’re not even trying, at this point.
More generally, the fact that relationships between contestants are making it on screen for more than 10 seconds per episode is indicative that the rest of the show has become deeply uninteresting. The drama has become, in essence, who’s getting kicked off in what order, and it’s going to go on until Angelo, Kenny, and some other non-entity of a cheftestant make it to the finale, whereupon Angelo will be crowned winner and Padma can go back to doing whatever it is she does when she’s not shepherding these culinary losers around some city for thirteen weeks and Tom can go back to pretending that any of his restaurants are still relevant. Which, honestly, doesn’t make for particularly compelling television.
I’ll put it this way: I don’t think even the combined bitchiness of Eric Ripert and Toby Young could make this season anything other than a complete snooze. Poor casting, Bravo.
And, worse yet, it’s the summer, so there’s absolutely nothing else to watch. Admittedly, Project Runway is starting again, which I can only hope will regain some of its luster (things have gone downhill ever since the drag queen challenge two seasons ago, which was one of the best episodes of any reality TV show I’ve ever seen, with the exception of the entire season of America’s Next Top Model with Jade)… but this season is shaping up to be the home of some seriously mediocre television. For shame.




